Giorgio Agamben has suggested that while philosophy knows its object without possessing it, poetry possesses it without knowing it. More than merely celebrating the craft as a form of knowledge production—it is the hand we should be interested in rather than the eye—the philosopher posits the residual trace of absence at the center of his aesthetic theory; all the music that has not yet been written.
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Yamashita, Ikehara, Urata: Moi Moi Konnichiwa | 16.-25.11.2018
“Since we arrived in Turku in early October, we have experienced various experiences and encounters. Everything we see, look, hear and listen, such as people, nature, culture, are fresh.”
Through their experiences of being in Turku, the artists are to produce works, referring a local culture and daily life in Turku. Their artworks and existence would draw people’s interest and will revise their perspective of Japanese culture.
We hope that it will bring fruitful communication between two different cultures in this exhibition.
By all members of the See Saw Seeds Effect; Moi Moi Konnichiwa -
Studio Japan | Turku main library Studio | 17.-18.11.2018
Exchange residency program: See Saw Seeds Effect; Moi Moi Konnichiwa between Arte ry and Japanese artists association C.A.P. during 2018-2019.
Residenssi on osa taiteilijavaihtohanketta See Saw Seeds Effect; Moi Moi Konnichiwa Arte ry:n ja Kobessa sijaitsevan C.A.P.-taiteilijayhdistyksen välillä vuosina 2018-2019. -
Menetelmällisen kirjallisuuden antologia | 10.11.2018 klo 15-17
Titanikin kokeelliseen kirjoittamiseen ja tekstiin eri taiteenlajeissa keskittyvä tilaisuuksien sarja saa jatkoa menetelmällistä kirjoittamista käsittelevästä keskustelutilaisuudesta. Keskustelun aikana sivutaan monia eri näkökulmia menetelmälliseen kirjoittamiseen: mitä se on, millaista sitä on tehdä, mitä annettavaa menetelmällisyydellä on nykytaiteelle, minkälaisia sen mahdollisuudet ovat esimerkiksi ohjelmoinnin kaltaisissa prosesseissa – ja miten digitaaliset ja analogiset menetelmät eroavat toisistaan.
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Artist-in-Residence: Yamashita, Ikehara, Urata, Mori (JPN) | 1.10–29.11.2018
Exchange residency program: “Moi Moi Konnichiwa” between Arte ry and C.A.P. during 2018-2019
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Corinna Helenelund & Lukas Hoffmann: The Dough | 12.10.-4.11.2018
Corinna Helenelund ja Lukas Hoffmann ovat taiteilijoita, jotka työskentelevät yleensä rinnakkain: Corinna kuvanveiston, installaation ja lavastuksen parissa, Lukas yksin ja ryhmissä videon ja objektien parissa. Titanikin The Dough-näyttelyssä he ovat yhdistäneet työskentelynsä tutkivan työhuoneprosessin muotoon, etsien vaikutteita toisistaan, mutta samalla myös heidän väliinsä nousevasta tuntemattomasta.
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Corinna Helenelund and Lukas Hoffmann are two artists usually working next to each other: Corinna with sculpture, installation and stage design, and Lukas with video, objects and in groups. In The Dough, shown at Titanik, they have mixed their practices in a searching studio process, trying to get influenced by each other but also by the unfamiliar that is emerging in between. -
Arten uusi hallitus vuodelle 2019 on valittu!
Arte ry:n syyskokouksessa on valittu uusi hallitus vuodelle 2019.
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Honkasalo-Niemi-Virtanen: Terminal Beach | 14.9.–7.10.2018
Terminal Beach on videoinstallaatio, joka pohjautuu J.G. Ballardin novelliin Terminal Beach (1964).
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Titanik A.i.R. open studio: Molly Joyce: Breaking and Entering | 26.9. 19-20:30
Breaking and Entering is a set of musical works written and performed by Molly Joyce for voice, vintage toy organ, and electronics. With the organ and the music she composes for it, Joyce aims to engage and challenge her physically-impaired left hand, an act she hopes will allow for a true “breaking and entering” of her body to a realm beyond ability in and of itself.
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Artist-in-Residence: Molly Joyce | 9.9.–28.9.2018
Molly Joyce: Breaking and entering Breaking and Entering is a set of musical works written and performed by Molly Joyce for voice, vintage toy organ, and pre-recorded electronics. Purchased on eBay about six years ago, her love of the instrument comes not only from the unique sound and tuning it produces, but also due to its
