Ellery Royston is a composer and sound artist using natural data in multi-channel sound installation as a way of exploring ecological and social systems. Recently, she have created installations using live geomagnetic data, historical data about civilizations over time, weather data about tides, and transcriptions of Appalachian folk music. By collapsing these large systems into a single room, her work aims to create soundscapes that allow people to have an intimate experience while at the same time staying connected to the world around them. She also performs on harp and keyboard, and creates sound for theater and video.

Marie-Andrée Godin’s work focuses on the figure of the witch as a feminist figure and explores the concepts of a-hierarchy, acts of manufacture, holistic thinking and knowledge as a source of power.  She is now trying to see if magic, post-capitalism and diverse political forms or systems could be intertwined to help manifest the future.

During their stay at Titanik Gallery Evgenija Wassilew and Peter Strickmann create an open scene inside the gallery space where spoken texts, spatial explorations and sound-happenings develop over time and space.

Emilie Payeur lives and works in Montreal, Canada. She is a multidisciplinary artist, mainly active in experimental/noise music and visual arts. The tension, discomfort,  voyeurism and perversion/deviation of the reality are very important in her visual works, both in the creative process and in the work itself. Often described as being minimalist and sometimes harsh,